Daisy Noyes is a photographic artist working in Australia and rural Massachusetts. She utilizes analogue camera-less technologies, as well as digital and large format film cameras, and her work encompasses photography, performance and installation. Her current practice focuses on parent-child relationships and domestic labor through process-based methodologies. She often works in collaboration or at cross-purposes with her children.
Her work has been shown in New York, New England, Australia, and internationally, including at the Museum of Australian Photography in Melbourne Australia, the Lishui Festival of Photography in China, and the Head On Photo Festival in Sydney Australia.
Selected Recent Exhibitions
2026: New Marlborough Meeting House Gallery: On your plate, group show, New Marlborough MA, USA
2025: September Gallery: Dogs and Cats Show: group show, Kinderhook NY, USA
2025: Bard MFA Thesis show: Double Take, group show, Bard College Exhibition Center, Red Hook, NY, USA
2025: The Museum of Australian Photography: Protest is a Creative Act, group show, Melbourne, AUS
2024: Library of Birmingham: Little Faces, Big Feelings, group show, Birmingham, UK
2024: Sandisfield Art Center: Illuminated: Women in Photography, group show, Sandisfield, MA, USA
2024: New Marlborough Meeting House Gallery: Farm to Table, group show, New Marlborough, MA, USA
2023: Head On Photo Festival: Featured Exhibitor, Sydney, AUS
2022: Caelum Gallery: “LensCulture’s New Perspectives in Photography,” New York, NY USA
2021: Lishui Festival of Photography/FORMAT Festival: “un/natural,” group show, Lishui, China
2021: FORMAT Festival, QUAD Gallery: “#MassIsolationFormat,” group show, Derby, UK, and online
2020: International Center for Photography: “ICP Concerned: Global Images for a Global Crisis,” New York, USA
2020: NOIR Gallery: “Miss Rona,” group show, Melbourne, AUS
Awards
2023: MFA Teaching Assistant Fellowship, Bard College undergraduate photography department
2021: Winner, Expert Recommended Photographer’s Award, Lishui Photography Festival, China
2021: Finalist, Documentary Family Awards, Environmental Portrait category
2020: Winner, LensCulture Critics’ Choice Award
2020: Finalist, Australian Photography Awards, Portrait category
Selected Published work
2026: Lucky Star Magazine: The Camera-less Issue: Making Photographs in alternative methods, Issue 5, June 2026
2025: The Artful Mind, May 2025 Issue
2023: Marie Claire Australia
2021: Photo Collective Magazine, Melbourne
2021: GALAH Magazine, Australia
2020: The Guardian Australia, UK, USA
2020: JANE by the Grey Attic, Melbourne
2020: The Age, Melbourne, The Sydney Morning Herald
PRESS/LINKS
The Ekphrastic Review: Three Poems on Daisy Noyes by Emily Collier
The Guardian: “Pain can be poetic – LensCulture’s Critics Choice 2020 Winners – in pictures”
The Guardian: “Australian women document climate crisis in visual petition – In pictures”
The Age: “They really stink: photographer makes dresses from Merri Creek waste”
Feature Shoot: Gowns made from rubbish bring awareness to the most polluted creek in Melbourne”
Format Festival presents un/natural at Lishui Festival of Photography